{"id":1326,"date":"2022-06-14T19:22:38","date_gmt":"2022-06-14T17:22:38","guid":{"rendered":"https:\/\/zlomvaz.cz\/2022\/?p=1326"},"modified":"2022-06-14T19:22:38","modified_gmt":"2022-06-14T17:22:38","slug":"jak-posmutnely-klaun-rozesmal","status":"publish","type":"post","link":"https:\/\/zlomvaz.cz\/2022\/2022\/06\/14\/jak-posmutnely-klaun-rozesmal\/","title":{"rendered":"Jak posmutn\u011bl\u00fd klaun rozesm\u00e1l"},"content":{"rendered":"\n

Tobi\u00e1\u0161 Waller<\/strong><\/p>\n\n\n\n

Co je v\u011bdom\u00ed? Co je nev\u011bdom\u00ed? Co je mysl? Ty a mnoh\u00e9 dal\u0161\u00ed ot\u00e1zky si klade performer Arman Kupelyan spole\u010dn\u011b s tv\u016fr\u010d\u00edm t\u00fdmem inscenace Playground of the Unconscious Self, <\/em>kter\u00e1 zakon\u010dila t\u0159et\u00ed festivalov\u00fd den a p\u0159ibl\u00ed\u017eila div\u00e1k\u016fm t\u00e9matiku nev\u011bdom\u00ed. Kupelyan vytvo\u0159il origin\u00e1ln\u00ed postavu, s jej\u00ed\u017e pomoc\u00ed demonstruje \u00fatr\u017eky z vlastn\u00edho vnit\u0159n\u00edho sv\u011bta. Z\u00e1rove\u0148 vytv\u00e1\u0159\u00ed dialog mezi personifikovan\u00fdm nev\u011bdom\u00edm a osobou, ve kter\u00e9 je uv\u011bzn\u011bno, \u010di se samotn\u00fdm div\u00e1kem.<\/p>\n\n\n\n

Performer v inscenaci, kter\u00e1 vyu\u017e\u00edv\u00e1 prvk\u016f pantomimy, nonverb\u00e1ln\u00edho divadla a klauni\u00e1dy, zt\u011bles\u0148uje nev\u011bdom\u00ed jako jak\u00fdsi pok\u0159iven\u00fd a bez\u00fat\u011b\u0161n\u011b osam\u011bl\u00fd charakter. Ten v\u0161ak nen\u00ed zoufal\u00fd. Jeho vzez\u0159en\u00ed, kter\u00e9 m\u016f\u017ee evokovat sk\u0159eta \u010di \u010dlov\u011bka s t\u011blesn\u00fdm posti\u017een\u00edm, upozor\u0148uje na to, \u017ee pr\u00e1v\u011b nev\u011bdom\u00ed je n\u011bco zanedb\u00e1van\u00e9ho a opom\u00edjen\u00e9ho. N\u011bco, \u010demu se nedostalo spr\u00e1vn\u00e9ho v\u00fdvoje a r\u016fstu. N\u011bco, co je v\u0161ak sympatick\u00e9, up\u0159\u00edmn\u00e9 a jemn\u00e9. Kupelyan odkr\u00fdv\u00e1 sv\u00e9 nitro a nab\u00edz\u00ed intimn\u00ed pohled na \u0159adu osobn\u00edch z\u00e1\u017eitk\u016f. Prov\u00e1z\u00ed publikum od zku\u0161enost\u00ed a traumat z d\u011btstv\u00ed, p\u0159es sexu\u00e1ln\u00ed touhy a l\u00e1sku a\u017e k z\u00e1vislosti na druh\u00fdch a pot\u0159eb\u011b sv\u016fj \u017eivot sd\u00edlet. Otev\u00edr\u00e1 tak vlastn\u00ed sd\u00edlnou hru posmutn\u011bl\u00e9ho klauna. Jako bychom celou dobu byly na n\u00e1v\u0161t\u011bv\u011b ciz\u00edho nev\u011bdom\u00ed, v n\u011bm\u017e postava p\u0159eb\u00fdv\u00e1.<\/p>\n\n\n\n

Kupelyan postavu vytv\u00e1\u0159el spole\u010dn\u011b s dramaturgem a spolure\u017eis\u00e9rem Emilem Rothermelem s my\u0161lenkou na t\u00ed\u017eivost psychick\u00fdch proces\u016f odehr\u00e1vaj\u00edc\u00edch se uvnit\u0159 n\u00e1s. Vych\u00e1zel z principu klauni\u00e1d a z tance but\u00f3. Jej\u00ed fyzick\u00e9 vzez\u0159en\u00ed tvo\u0159\u00ed shrben\u00fdmi z\u00e1dy, divokou klaunskou mimikou a gestikou \u010di a\u017e infantiln\u00edm pohybov\u00fdm slovn\u00edkem. Jeho zosobn\u011bn\u00e9 nev\u011bdom\u00ed, tedy shrben\u00fd a \u0161pinav\u00fd mu\u017e, \u0161kobrt\u00e1 a pokulh\u00e1v\u00e1 kolem, jeliko\u017e mu patrn\u011b nikdy nebylo umo\u017en\u011bno nic jin\u00e9ho. <\/p>\n\n\n\n

Postavu potemn\u011bl\u00e9ho klauna zasadil p\u0159\u00edmo dovnit\u0159 mysli \u010dlov\u011bka. Tomu odpov\u00edd\u00e1 i jednoduch\u00e1, ale perfektn\u011b funk\u010dn\u00ed sc\u00e9nografie (Lidya Arinna Emir, Alexandra Chernomashyntseva). Ta je toti\u017e slo\u017eena z p\u0159edm\u011bt\u016f, kter\u00e9 mohou na sc\u00e9n\u011b p\u016fsobit n\u00e1hodn\u011b, jsou ale pro hru sv\u00fdm zp\u016fsobem kl\u00ed\u010dov\u00e9. V prav\u00e9 zadn\u00ed \u010d\u00e1sti jevi\u0161t\u011b je st\u016fl s \u017eidl\u00ed, u n\u011bho\u017e na za\u010d\u00e1tku us\u00edn\u00e1 mu\u017e, v jeho\u017e mysli a nev\u011bdom\u00ed se zbyl\u00fd d\u011bj odehr\u00e1v\u00e1. V lev\u00e9 zadn\u00ed \u010d\u00e1sti pak nesourod\u00e1 hromada krabic, z n\u00ed\u017e klaun tah\u00e1 rozli\u010dn\u00e9 p\u0159edm\u011bty, jimi\u017e rozehr\u00e1v\u00e1 svou hru. Sc\u00e9nu dotv\u00e1\u0159\u00ed p\u00e1r masivn\u00edch plechov\u00fdch trubek a do r\u00e1mu prom\u00edtan\u00fd portr\u00e9t mu\u017ee z \u00favodu. B\u011bhem sv\u00e9 hry tak\u00e9 vyu\u017e\u00edv\u00e1 stroj na sny sestrojen\u00fd z plechov\u00e9ho sudu, ant\u00e9ny a vyp\u00edna\u010de, kter\u00fdm se v\u00fdroba sn\u016f spou\u0161t\u00ed. Pro klaunovu hru vznik\u00e1 ztemn\u011bl\u00fd a tich\u00fd prostor p\u0159ipom\u00ednaj\u00edc\u00ed zaskl\u00e1dan\u00fd sklep nebo p\u016fdu plnou vzpom\u00ednek, my\u0161lenek, traumat a tu\u017eeb. <\/p>\n\n\n\n

A\u010dkoliv je Kupelyanova postava vystav\u011bna na principu pantomimy, mluv\u00ed. Je sice vid\u011bt, \u017ee s t\u00edm m\u00e1 na za\u010d\u00e1tku sama probl\u00e9m a trv\u00e1 ji notnou chv\u00edli, ne\u017e z\u00e1drhely s artikulac\u00ed a samotnou tvorbou slov a v\u011bt p\u0159ekon\u00e1.  To ale pln\u011b podporuje interpretaci toho, \u017ee nev\u011bdom\u00ed je n\u011bco zapomenut\u00e9ho a osamocen\u00e9ho. Tak, jako pr\u00e1v\u011b narozen\u00e9 d\u011bti m\u017eouraj\u00ed za sv\u011btlem a u\u010d\u00ed se mluvit, je i klaun zprvu zasko\u010den jak sv\u011btly, tak samotn\u00fdm publikem, se kter\u00fdm po celou dobou interaguje. T\u00edm vytv\u00e1\u0159\u00ed komickou linii, je\u017e se ale ani po t\u00e9m\u011b\u0159 hodinov\u00e9 d\u00e9lce nevy\u010derp\u00e1 a st\u00e1le bav\u00ed. Div\u00e1k\u016f se pt\u00e1, zda jsou jeho p\u0159\u00e1teli a nech\u00e1 se jimi povzbuzovat ve sv\u00e9 h\u0159e. Jako by jeho prim\u00e1rn\u00ed motivac\u00ed byla p\u0159\u00edtomnost publika a up\u0159\u00edmn\u00fd z\u00e1jem n\u011bkoho, kdo se s lidmi je\u0161t\u011b nikdy nesetkal, prozkoumat, co jsou za\u010d. <\/p>\n\n\n\n

Nech\u00e1v\u00e1 se hecovat a postupn\u011b se za\u010d\u00edn\u00e1 v\u00edc a v\u00edc p\u0159edv\u00e1d\u011bt. U\u017e\u00edv\u00e1 si pozornost a svou akci postupn\u011b graduje prom\u011bnou ze stydliv\u00e9ho a vykulen\u00e9ho mima v sebev\u011bdom\u011bj\u0161\u00edho. Ke konci si za\u017e\u00e1d\u00e1 i o hudbu a do rytm\u016f elektronick\u00e9 hudby (\u0160t\u011bp\u00e1n Pl\u00edva) se svobodn\u011b roztan\u010d\u00ed. Se zazvon\u011bn\u00edm bud\u00edku se v\u0161ak slu\u0161n\u011b a pokorn\u011b rozlou\u010d\u00ed, odejde a uzav\u0159e svou snovou hru, kterou bavil publikum i s\u00e1m sebe. Tich\u00fdm a klidn\u00fdm odchodem pak jako by potvrdil pom\u00edjivost moment\u016f, kdy se na\u0161e vlastn\u00ed mysl projevuje a p\u0159eva\u017euje nad racion\u00e1lnem. <\/p>\n\n\n\n

Kupelyan vytvo\u0159il origin\u00e1ln\u00ed postavu, kterou dok\u00e1\u017ee s\u00a0naprosto nezpochybnitelnou sebed\u016fv\u011brou a k\u0159ehkou jemnost\u00ed v\u00e9st a rozv\u00edjet. Skrze svou osobn\u00ed poetiku nahl\u00ed\u017e\u00ed na t\u00e9ma mysli a nev\u011bdom\u00ed, kterou piln\u011b zpracov\u00e1v\u00e1, a viditeln\u011b do postavy klauna otisk\u00e1v\u00e1. V\u00a0intimn\u00ed, klidn\u00e9 a a\u017e h\u0159ejiv\u00e9 inscenaci pln\u011b sv\u00e9ho klauna rozehr\u00e1v\u00e1, p\u0159i\u010dem\u017e p\u016fsob\u00ed dojmem, \u017ee posmutn\u011bl\u00fdm a k\u0159ehk\u00fdm mimem je a v\u017edy byl on s\u00e1m.\u00a0<\/p>\n\n\n\n

Hudebn\u00ed fakulta Akademie m\u00fazick\u00fdch um\u011bn\u00ed v Praze \u2013 Arman Kupelyan<\/em><\/strong><\/em>: Playground of the Unconscious Self.<\/strong> Re\u017eie Arman Kupelyan, Emil Rothermel, dramaturgie Emil Rothermel, choreografie Arman Kupelyan<\/em><\/em>, sc\u00e9na a kost\u00fdmy Lidya Arinna Emir, Alexandra Chernomashyntseva, hudba \u0160t\u011bp\u00e1n Pl\u00edva. Ps\u00e1no z p\u0159edstaven\u00ed 10. 6. 2022 v DISKu v r\u00e1mci festivalu Zlomvaz.<\/em><\/p>\n\n\n\n

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Fotografie z p\u0159edstaven\u00ed 10. \u010dervna v DISKu.
FOTO: Juan David Cevallos<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

Co je v\u011bdom\u00ed? Co je nev\u011bdom\u00ed? Co je mysl? Ty a mnoh\u00e9 dal\u0161\u00ed ot\u00e1zky si klade performer Arman Kupelyan spole\u010dn\u011b s tv\u016fr\u010d\u00edm t\u00fdmem inscenace Playground of the Unconscious Self, kter\u00e1 zakon\u010dila t\u0159et\u00ed festivalov\u00fd den a p\u0159ibl\u00ed\u017eila div\u00e1k\u016fm t\u00e9matiku nev\u011bdom\u00ed. Kupelyan vytvo\u0159il origin\u00e1ln\u00ed postavu, s\u00a0jej\u00ed\u017e pomoc\u00ed demonstruje \u00fatr\u017eky z\u00a0vlastn\u00edho vnit\u0159n\u00edho sv\u011bta. Z\u00e1rove\u0148 vytv\u00e1\u0159\u00ed dialog mezi personifikovan\u00fdm nev\u011bdom\u00edm a osobou, ve kter\u00e9 je uv\u011bzn\u011bno, \u010di se samotn\u00fdm div\u00e1kem.<\/p>\n","protected":false},"author":3,"featured_media":1327,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[22,23],"tags":[45,36],"class_list":["post-1326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obratel","category-recenze","tag-recenze","tag-tobias-waller","entry"],"uagb_featured_image_src":{"full":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/MG_2883-scaled.jpg",2560,1707,false],"thumbnail":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/MG_2883-150x150.jpg",150,150,true],"medium":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/MG_2883-300x200.jpg",300,200,true],"medium_large":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/MG_2883-768x512.jpg",750,500,true],"large":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/MG_2883-1024x683.jpg",750,500,true],"1536x1536":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/MG_2883-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/MG_2883-2048x1365.jpg",2048,1365,true],"post-thumbnail":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/MG_2883-1568x1045.jpg",1568,1045,true],"sow-carousel-default":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/MG_2883-272x182.jpg",272,182,true]},"uagb_author_info":{"display_name":"Krist\u00fdna Vina\u0159ov\u00e1","author_link":"https:\/\/zlomvaz.cz\/2022\/author\/kristyna\/"},"uagb_comment_info":3,"uagb_excerpt":"Co je v\u011bdom\u00ed? Co je nev\u011bdom\u00ed? Co je mysl? Ty a mnoh\u00e9 dal\u0161\u00ed ot\u00e1zky si klade performer Arman Kupelyan spole\u010dn\u011b s tv\u016fr\u010d\u00edm t\u00fdmem inscenace Playground of the Unconscious Self, kter\u00e1 zakon\u010dila t\u0159et\u00ed festivalov\u00fd den a p\u0159ibl\u00ed\u017eila div\u00e1k\u016fm t\u00e9matiku nev\u011bdom\u00ed. Kupelyan vytvo\u0159il origin\u00e1ln\u00ed postavu, s\u00a0jej\u00ed\u017e pomoc\u00ed demonstruje \u00fatr\u017eky z\u00a0vlastn\u00edho vnit\u0159n\u00edho sv\u011bta. Z\u00e1rove\u0148 vytv\u00e1\u0159\u00ed dialog mezi personifikovan\u00fdm…","_links":{"self":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts\/1326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/comments?post=1326"}],"version-history":[{"count":2,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts\/1326\/revisions"}],"predecessor-version":[{"id":1368,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts\/1326\/revisions\/1368"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/media\/1327"}],"wp:attachment":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/media?parent=1326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/categories?post=1326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/tags?post=1326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}