{"id":1284,"date":"2022-06-13T21:10:54","date_gmt":"2022-06-13T19:10:54","guid":{"rendered":"https:\/\/zlomvaz.cz\/2022\/?p=1284"},"modified":"2022-06-13T23:11:34","modified_gmt":"2022-06-13T21:11:34","slug":"vyjdi-na-svetlo","status":"publish","type":"post","link":"https:\/\/zlomvaz.cz\/2022\/2022\/06\/13\/vyjdi-na-svetlo\/","title":{"rendered":"Vyjdi na sv\u011btlo"},"content":{"rendered":"\n

Eli\u0161ka Hankovcov\u00e1 <\/strong><\/p>\n\n\n\n

Jedn\u00edm ze z\u00e1v\u011bre\u010dn\u00fdch bod\u016f programu leto\u0161n\u00edho festivalu Zlomvaz byla inscenace Equus<\/em>. Adaptaci d\u00edla britsk\u00e9ho dramatika Petera Schaffera p\u0159ivezli studenti brn\u011bnsk\u00e9 JAMU. V \u00fasporn\u00fdch prostorech jednoho z ateli\u00e9r\u016f dok\u00e1zali zprost\u0159edkovat dynamick\u00fd i p\u016fsobiv\u011b mystick\u00fd z\u00e1\u017eitek.<\/p>\n\n\n\n

P\u016fvodn\u00ed Shaffer\u016fv text o mlad\u00e9m chlapci, Alanu Strangovi, jen\u017e skon\u010d\u00ed v psychiatrick\u00e9 p\u00e9\u010di doktora Dysarta pot\u00e9, co brut\u00e1ln\u011b zmrza\u010d\u00ed \u0161est kon\u00ed, je pom\u011brn\u011b n\u00e1ro\u010dn\u00fd. Pro \u00fa\u010dely studentsk\u00e9 inscenace tak logicky pro\u0161el zna\u010dnou dramaturgickou \u00fapravou. Dramaturgyn\u011b B\u00e1ra Vicen\u00edkov\u00e1 jej nejen aktualizovala (pop\u011bvek, kter\u00fd Alan bezdu\u0161e opakuje m\u00edsto odpov\u00edd\u00e1n\u00ed na ot\u00e1zky, pozn\u00e1 ka\u017ed\u00fd, kdo n\u011bkdy p\u0159eskakoval reklamu s otravn\u00fdm zelen\u00fdm pa\u0148\u00e1cou), ale tak\u00e9 text v\u00fdrazn\u011b zkr\u00e1tila a sn\u00ed\u017eila po\u010det postav. Zm\u011bny v\u0161ak nejsou v rozporu s p\u016fvodn\u00edm textem. Pr\u00e1v\u011b naopak \u2013 inscenace d\u00edky nim dost\u00e1v\u00e1 zna\u010dn\u00fd sp\u00e1d, ani\u017e by ztr\u00e1cela na siln\u00e9m sd\u011blen\u00ed.<\/p>\n\n\n\n

Dynamizovat d\u011bj pom\u00e1h\u00e1 i sc\u00e9nografie, je\u017e je zalo\u017een\u00e1 p\u0159edev\u0161\u00edm na pr\u00e1ci s kontrastem. Jevi\u0161t\u011b diagon\u00e1ln\u011b prot\u00edn\u00e1 steriln\u011b b\u00edl\u00fd pruh lina. Sv\u011btl\u00fd ku\u017eel vede k \u0161atn\u00ed sk\u0159\u00edni, t\u00e9\u017e nat\u0159en\u00e9 jasn\u011b b\u00edlou barvou, jej\u00ed\u017e dve\u0159n\u00ed k\u0159\u00eddla jsou otev\u0159en\u00e1 doko\u0159\u00e1n. Mal\u00e1 sk\u0159\u00ed\u0148 p\u0159edstavuje st\u00edsn\u011bnou ordinaci l\u00e9ka\u0159e Martina Dysarta. Zbytek prostoru kolem n\u00ed se ut\u00e1p\u00ed ve tm\u011b, jen je podle pot\u0159eby osv\u011btlov\u00e1n bodov\u00fdmi reflektory. Vznik\u00e1 tak ostr\u00fd p\u0159echod mezi do o\u010d\u00ed bodaj\u00edc\u00ed b\u011blost\u00ed psychiatrick\u00e9 l\u00e9\u010debny a z\u00e1hadnou tmou. Potemn\u011bl\u00e1 \u010d\u00e1st jevi\u0161t\u011b se st\u00e1v\u00e1 plochou, kde se odhaluje minulost postav, ale i jejich sny, touhy a strachy skryt\u00e9 hluboko v podv\u011bdom\u00ed. Kontrastn\u00ed rozd\u011blen\u00ed umo\u017e\u0148uje rychl\u00e9 st\u0159\u00edd\u00e1n\u00ed mezi r\u016fzn\u00fdmi \u010dasov\u00fdmi rovinami d\u011bje. Kdy\u017e Alan b\u011bhem sv\u00fdch sezen\u00ed u l\u00e9ka\u0159e rozkr\u00fdv\u00e1 sv\u016fj p\u0159\u00edb\u011bh, v\u00fdjevy z jeho minulosti \u2013 prvn\u00ed strhuj\u00edc\u00ed j\u00edzda na koni, pr\u00e1ce v obchod\u011b, rande s d\u00edvkou ze st\u00e1j\u00ed \u2013 se odehr\u00e1vaj\u00ed ve tm\u011b. B\u00edl\u00e1 ordinace znamen\u00e1 p\u0159\u00edtomnost. Mezi sv\u011btlem a tmou v\u0161ak m\u016f\u017ee rychle putovat i s\u00e1m Dysart. Pro n\u011bj je temn\u00e1 \u010d\u00e1st jevi\u0161t\u011b, nav\u00edc zahalen\u00e1 do pl\u00ed\u017eiv\u00e9ho kou\u0159e, \u00fanikem do sn\u016f a zpytuj\u00edc\u00edch my\u0161lenek o smyslu jeho pr\u00e1ce. <\/p>\n\n\n\n

Postavy mlad\u00e9ho Alana a l\u00e9ka\u0159e se tak st\u00e1vaj\u00ed konstantami sc\u00e9ny. Oba jejich p\u0159edstavitel\u00e9, Kanwar \u0160ulc a Tom\u00e1\u0161 Weber, si po celou dobu p\u0159edstaven\u00ed nevydechnou, i kdy\u017e maj\u00ed zna\u010dn\u011b odli\u0161n\u00e9 \u00falohy. \u0160ulc v roli mlad\u00edka umn\u011b p\u0159ech\u00e1z\u00ed z vygradovan\u00e9ho nap\u011bt\u00ed do le\u017e\u00e9rn\u011b apatick\u00e9ho nez\u00e1jmu, ze kter\u00e9ho je ale c\u00edtit pouh\u00e1 p\u00f3za a skr\u00fdv\u00e1n\u00ed vlastn\u00ed k\u0159ehkosti. Weber jako doktor Dysart zas dok\u00e1\u017ee (s men\u0161\u00edmi za\u0161kobrtnut\u00edmi) v\u011brohodn\u011b ztv\u00e1rnit pochyby a t\u00e1p\u00e1n\u00ed vyho\u0159el\u00e9ho psychiatra. Zbyl\u00ed t\u0159i \u010dlenov\u00e9 ans\u00e1mblu ztv\u00e1r\u0148uj\u00ed zbytek postav a d\u00edky jednoduch\u00fdm kost\u00fdm\u016fm se mohou prom\u011b\u0148ovat a br\u00e1t na sebe r\u016fzn\u00e9 podoby v Alanov\u011b vypr\u00e1v\u011bn\u00ed. Kdy\u017e si k \u010dern\u00fdm leg\u00edn\u00e1m obl\u00e9knou jednoduchou \u0161edou mikinu, st\u00e1vaj\u00ed se najednou t\u0159eba ko\u0148mi a v kr\u00e1tk\u00fdch choreografick\u00fdch v\u00fdstupech v rytmu duniv\u00e9, extatick\u00e9 hudby vezou hlavn\u00edho hrdinu. P\u0159id\u00e1-li se k mikin\u011b je\u0161t\u011b zlacen\u00e1 celoobli\u010dejov\u00e1 maska, jsou herci v m\u017eiku antick\u00fdmi velekn\u011bzi z Dysartov\u00fdch sn\u016f. Kost\u00fdmy tak funguj\u00ed stejn\u011b jako sc\u00e9na \u2013 umo\u017e\u0148uj\u00ed rychl\u00e9 st\u0159ihy a z\u00e1rove\u0148 v\u0161echny postavy prost\u011b, ale jasn\u011b odli\u0161uj\u00ed.<\/p>\n\n\n\n

V inscenaci se tak chytr\u00fdm a efektn\u00edm zp\u016fsobem otev\u00edraj\u00ed d\u016fle\u017eit\u00e1 t\u00e9mata, jako je pocit vyho\u0159en\u00ed \u010di hled\u00e1n\u00ed vlastn\u00ed identity a smyslu \u017eivota. I d\u00edky tomu zanech\u00e1v\u00e1 v mysli p\u0159\u00edjemn\u011b provokuj\u00edc\u00ed dozvuk. <\/p>\n\n\n\n

Divadeln\u00ed fakulta Jan\u00e1\u010dkovy akademie m\u00fazick\u00fdch um\u011bn\u00ed v Brn\u011b \u2013 Peter Shaffer: Equus. <\/strong>Re\u017eie Michal Moravec, dramaturgie B\u00e1ra Vicen\u00edkov\u00e1, hudba Pavel \u010cen\u011bk Vacul\u00edk, sc\u00e9na a kost\u00fdmy Magdalena \u010cern\u00e1, choreografie David Strnad. Ps\u00e1no z p\u0159edstaven\u00ed 11. 6. 2022 na DAMU v r\u00e1mci festivalu Zlomvaz.<\/em><\/p>\n\n\n\n

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Fotografie z p\u0159edstaven\u00ed 11. \u010dervna na DAMU.
FOTO: Alexandra Chud\u00e1<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Jedn\u00edm ze z\u00e1v\u011bre\u010dn\u00fdch bod\u016f programu leto\u0161n\u00edho festivalu Zlomvaz byla inscenace Equus. Adaptaci d\u00edla britsk\u00e9ho dramatika Petera Schaffera p\u0159ivezli studenti brn\u011bnsk\u00e9 JAMU. V\u00a0\u00fasporn\u00fdch prostorech jednoho z\u00a0ateli\u00e9r\u016f dok\u00e1zali zprost\u0159edkovat dynamick\u00fd i p\u016fsobiv\u011b mystick\u00fd z\u00e1\u017eitek.<\/p>\n","protected":false},"author":3,"featured_media":1286,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[22,23],"tags":[37,45],"class_list":["post-1284","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obratel","category-recenze","tag-eliska-hankovcova","tag-recenze","entry"],"uagb_featured_image_src":{"full":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/DSC_7671-scaled.jpg",2560,1709,false],"thumbnail":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/DSC_7671-150x150.jpg",150,150,true],"medium":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/DSC_7671-300x200.jpg",300,200,true],"medium_large":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/DSC_7671-768x513.jpg",750,501,true],"large":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/DSC_7671-1024x684.jpg",750,501,true],"1536x1536":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/DSC_7671-1536x1025.jpg",1536,1025,true],"2048x2048":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/DSC_7671-2048x1367.jpg",2048,1367,true],"post-thumbnail":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/DSC_7671-1568x1047.jpg",1568,1047,true],"sow-carousel-default":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/DSC_7671-272x182.jpg",272,182,true]},"uagb_author_info":{"display_name":"Krist\u00fdna Vina\u0159ov\u00e1","author_link":"https:\/\/zlomvaz.cz\/2022\/author\/kristyna\/"},"uagb_comment_info":3,"uagb_excerpt":"Jedn\u00edm ze z\u00e1v\u011bre\u010dn\u00fdch bod\u016f programu leto\u0161n\u00edho festivalu Zlomvaz byla inscenace Equus. Adaptaci d\u00edla britsk\u00e9ho dramatika Petera Schaffera p\u0159ivezli studenti brn\u011bnsk\u00e9 JAMU. V\u00a0\u00fasporn\u00fdch prostorech jednoho z\u00a0ateli\u00e9r\u016f dok\u00e1zali zprost\u0159edkovat dynamick\u00fd i p\u016fsobiv\u011b mystick\u00fd z\u00e1\u017eitek.","_links":{"self":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts\/1284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/comments?post=1284"}],"version-history":[{"count":4,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts\/1284\/revisions"}],"predecessor-version":[{"id":1300,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts\/1284\/revisions\/1300"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/media\/1286"}],"wp:attachment":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/media?parent=1284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/categories?post=1284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/tags?post=1284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}