{"id":1272,"date":"2022-06-13T19:43:34","date_gmt":"2022-06-13T17:43:34","guid":{"rendered":"https:\/\/zlomvaz.cz\/2022\/?p=1272"},"modified":"2022-06-13T19:43:34","modified_gmt":"2022-06-13T17:43:34","slug":"poprve-na-terapeuticke-pohovce","status":"publish","type":"post","link":"https:\/\/zlomvaz.cz\/2022\/2022\/06\/13\/poprve-na-terapeuticke-pohovce\/","title":{"rendered":"Poprv\u00e9 na terapeutick\u00e9 pohovce"},"content":{"rendered":"\n

Ludmila Zaj\u00ed\u010dkov\u00e1<\/strong><\/p>\n\n\n\n

Projekt, kter\u00fd vznikl b\u011bhem t\u0159et\u00ed vlny pandemie na Slovensku, si ur\u010duje za c\u00edl p\u0159in\u00e9st v\u00fdpov\u011bdi o snech i bolestech student\u016f herectv\u00ed na Akad\u00e9mii umen\u00ed v Banskej Bystrici. Po uveden\u00ed v Praze zanechal ot\u00e1zku, jestli covidov\u00e9 projekty s terapeutick\u00fdm podtextem (nebo p\u0159\u00edmo \u00fa\u010delem?) maj\u00ed potenci\u00e1l obst\u00e1t p\u0159ed \u017eiv\u00fdm publikem. Proto\u017ee stejn\u011b, jako by p\u0159ineslo \u010dlov\u011bku sledov\u00e1n\u00ed ciz\u00edho terapeutick\u00e9ho sezen\u00ed pocity ur\u010dit\u00e9 nepat\u0159i\u010dnosti, podobn\u011b invazivn\u011b p\u016fsobilo i sledov\u00e1n\u00ed inscenace bystrick\u00e9ho souboru pod veden\u00edm J\u00e1na Luter\u00e1na. <\/p>\n\n\n\n

Do tmy jevi\u0161t\u011b vstoupilo dvan\u00e1ct postav od\u011bn\u00fdch do b\u00edl\u00fdch ko\u0161il\u00ed zastr\u010den\u00fdch v \u010dern\u00fdch kalhot\u00e1ch, s pr\u016fsvitn\u00fdmi bat\u016f\u017eky, v nich\u017e blikala mal\u00e1 sv\u011bt\u00fdlka. Postavy p\u0159es sebe za\u010daly heslovit\u011b vyslovovat, \u010d\u00edm te\u010f v \u017eivot\u011b jsou \u2013 syny, dcerami, herci, kamar\u00e1dy. Vz\u00e1p\u011bt\u00ed zav\u011bsily sv\u00e9 batohy na zadn\u00ed z\u00e1v\u011bs a se sv\u011btly v rukou sd\u011blily publiku sv\u00e9 \u017eivotn\u00ed touhy. N\u00e1znaky nitern\u00fdch osobn\u00edch zpov\u011bd\u00ed n\u00e1sledn\u011b ale p\u0159ebila neukotvenost p\u0159\u00edb\u011bh\u016f, kter\u00e9 na sebe nenavazovaly tematicky, a nebylo z\u0159eteln\u00e9, pro\u010d jsou v\u016fbec p\u0159\u00edb\u011bhy vypr\u00e1v\u011bn\u00e9. Sd\u00edlen\u00e9 autorsk\u00e9 p\u0159\u00edb\u011bhy o aktu\u00e1ln\u00edch t\u00e9matech (reflexe toxick\u00fdch vztah\u016f nebo p\u0159\u00edstupu k poru\u0161e p\u0159\u00edjmu potravy) ztratily na v\u00fdznamu pod t\u00edhou ru\u0161iv\u00fdch element\u016f v podob\u011b techno hudby, sborov\u00fdch sy\u010div\u00fdch zvuk\u016f, k\u0159i\u010den\u00ed pr\u00e1zdn\u00fdch fr\u00e1z\u00ed nebo papou\u0161kov\u00e1n\u00ed konkr\u00e9tn\u00edch replik. Jednotliv\u00e9 konfese nav\u00edc postavy nijak nep\u0159ibl\u00ed\u017eily, pouze p\u0159isp\u011bly k pov\u0161echn\u00e9 neuchopitelnosti a ne\u010diteln\u00e9mu vyzn\u011bn\u00ed. <\/p>\n\n\n\n

Nesystematick\u00e9 propl\u00e9t\u00e1n\u00ed pohybov\u00e9 a hudebn\u00ed slo\u017eky p\u0159\u00edb\u011bhu vytvo\u0159ilo dojem zamotan\u00e9ho klubka. P\u0159edv\u00e1d\u011bn\u00e1 doprovodn\u00e1 gesta m\u011bla vypr\u00e1v\u011bn\u00e9 p\u0159\u00edb\u011bhy doplnit, ale nam\u00edsto toho se v nich utopila a d\u011bn\u00ed na jevi\u0161ti bylo moc. Celek pak p\u016fsobil jako prvn\u00ed sezen\u00ed u terapeuta \u2013 chaotick\u00e9 sd\u011blov\u00e1n\u00ed \u017eivotn\u00edch z\u00e1\u017eitk\u016f a eskap\u00e1d bez p\u0159idan\u00e9ho kontextu. Terapeut se pak m\u016f\u017ee domn\u00edvat, kam t\u00edm v\u0161\u00edm m\u00ed\u0159\u00edte, ale sezen\u00ed bude muset b\u00fdt je\u0161t\u011b n\u011bkolik, aby se dobral prav\u00e9ho sd\u011blen\u00ed pod povrchem. Inscenaci Nak\u00fapen\u00e9 <\/em>se bohu\u017eel pod povrch nepovedlo ani nahl\u00e9dnout. Pocitu terapeutick\u00e9ho sezen\u00ed p\u0159isp\u011bla i jednotv\u00e1rn\u00e1 pr\u00e1ce s dvan\u00e1cti \u017eidlemi, kter\u00e9 se dr\u017eely v jedn\u00e9 \u0159ad\u011b a manipulovalo se s nimi pouze po vodorovn\u00e9 ose jevi\u0161t\u011b. Kdy\u017e pak herci \u017eidle v r\u016fzn\u00fdch \u010d\u00e1stech obsazovali, sed\u011bli proti hledi\u0161ti a uhran\u010div\u011b vypr\u00e1v\u011bli dal\u0161\u00ed z mnoha p\u0159\u00edb\u011bh\u016f do naslouchaj\u00edc\u00edho jevi\u0161t\u011b. <\/p>\n\n\n\n

P\u0159es to v\u0161echno se herci jevili jako koherentn\u011b vystupuj\u00edc\u00ed celek a vz\u00e1jemn\u00e9 napojen\u00ed se uk\u00e1zalo p\u0159edev\u0161\u00edm ve v\u00fdrazn\u00e9 pohybov\u00e9 slo\u017ece. A\u0165 u\u017e se akt\u00e9\u0159i vz\u00e1jemn\u011b nosili, p\u0159ehazovali jednu z here\u010dek jako kyvadlo nebo se odd\u00e1vali p\u0159esn\u00fdm rytmick\u00fdm kreac\u00edm, tak se ro\u010dn\u00edk student\u016f projevil jako skute\u010dn\u011b sehran\u00fd soubor. Pohybov\u00e1 slo\u017eka p\u016fsobila ucelen\u011b a spole\u010dn\u00e1 pr\u00e1ce byla nejsiln\u011bj\u0161\u00edm poutem mezi herci. Hravost vych\u00e1zej\u00edc\u00ed z improvizace ud\u00e1vala tempo jinak nesystematick\u00e9mu v\u00edru vr\u0161\u00edc\u00edch se princip\u016f. Cel\u00e1 inscenace pak cht\u011b necht\u011b vyzn\u011bla jako fin\u00e1ln\u00ed forma jak\u00e9hosi improviza\u010dn\u00edho workshopu za \u00fa\u010delem stmelen\u00ed kolektivu. <\/p>\n\n\n\n

P\u0159edm\u011bty b\u011bhem \u00favodu n\u00e1hodn\u011b poh\u00e1zen\u00e9 po jevi\u0161ti se v z\u00e1v\u011bru p\u0159edstaven\u00ed staly hranic\u00ed, u n\u00ed\u017e hlub\u0161\u00ed emocion\u00e1ln\u00ed poselstv\u00ed kon\u010dilo. A\u010d se \u010d\u00e1sti p\u0159edstaven\u00ed odehr\u00e1valy fyzicky bl\u00edzko \u2013 na forb\u00edn\u011b \u2013 v\u00fdznamov\u011b se v\u0161e vzdalovalo hledi\u0161ti. I p\u0159es \u010detnou artikulaci osobn\u00edch probl\u00e9m\u016f bylo obt\u00ed\u017en\u00e9 pochopit charakter jednotliv\u00fdch protagonist\u016f a o to obt\u00ed\u017en\u011bj\u0161\u00ed bylo se na n\u011b napojit. Snahu zachytit pointu p\u0159\u00edb\u011bh\u016f ma\u0159ily ru\u0161iv\u00e9 zvuky brouk\u00e1n\u00ed a mnohdy zbyte\u010dn\u00e9 k\u0159i\u010den\u00ed. Jednotn\u00e9 oble\u010den\u00ed d\u00e1valo mo\u017enost vystupov\u00e1n\u00ed s r\u016fzn\u00fdmi charaktery. Ale nezodpov\u011bd\u011blo ot\u00e1zku, jestli jsou herci po celou dobu jednou postavou. Stejn\u00e1 nezodpov\u011bzen\u00e1 ot\u00e1zka se t\u00fdk\u00e1 propojenosti nebo \u0159azen\u00ed jednotliv\u00fdch p\u0159\u00edb\u011bh\u016f, proto\u017ee n\u00e1vaznost \u0161la hledat jen t\u011b\u017eko. <\/p>\n\n\n\n

V z\u00e1v\u011bru herci vych\u00e1zeli ze sborov\u011b zp\u00edvaj\u00edc\u00edho p\u016flkruhu a sv\u011b\u0159ili se div\u00e1k\u016fm se sv\u00fdmi pl\u00e1ny a nad\u011bjemi do budoucnosti. P\u0159edstaven\u00ed se po nep\u0159ehledn\u00e9m chumlu vr\u00e1tilo ke stejn\u00e9mu principu, jak\u00fdm za\u010dalo. Osobn\u00ed zpov\u011b\u010f o touze b\u00fdt \u00fasp\u011b\u0161nou here\u010dkou, nov\u00fdm Jozefem Bedn\u00e1rikem, nebo b\u00fdt \u201ejen\u201c dobr\u00fdm \u010dlov\u011bkem. Zakon\u010den\u00edm inscenace byly nitern\u00ed v\u00fdpov\u011bdi herc\u016f, z nich\u017e bylo c\u00edtit emocion\u00e1ln\u00ed vyp\u011bt\u00ed a jejich\u017e pro soubor hlubok\u00fd v\u00fdznam byl vid\u011bt v zaslzen\u00fdch o\u010d\u00edch herc\u016f. Pro mne toto bylo jedinou chv\u00edl\u00ed, kdy jsem c\u00edtila lehk\u00e9 napojen\u00ed na jevi\u0161t\u011b a tv\u016frce, v jinak nesystematicky budovan\u00e9m p\u0159edstaven\u00ed. I p\u0159es sehranost dok\u00e1zanou v pohybov\u00fdch \u010d\u00e1stech, se soubor mohl v\u00edce soust\u0159edit na ucelenost p\u0159\u00edb\u011bh\u016f. Inscenace by pak nep\u016fsobila jako zmaten\u00e9 terapeutick\u00e9 setk\u00e1n\u00ed.<\/p>\n\n\n\n

Akad\u00e9mia umen\u00ed v Banskej Bystrici \u2013 J\u00e1n Luter\u00e1n a kol.: Nak\u00fapen\u00e9. <\/em><\/strong>Re\u017eie J\u00e1n Luter\u00e1n, sc\u00e9na a kost\u00fdmy Michal Lo\u0161onsk\u00fd, choreografie So\u0148a Ko\u010danov\u00e1, light design Mari\u00e1n Vele\u0161, sound design Jozef Mituch. Ps\u00e1no z p\u0159edstaven\u00ed a diskuze 9. 6. 2022 v DISKu v r\u00e1mci Zlomvazu<\/em>.<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"
Fotografie z p\u0159edstaven\u00ed 9. \u010dervna v DISKu.
FOTO: Juan David Cevallos<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

Projekt, kter\u00fd vznikl b\u011bhem t\u0159et\u00ed vlny pandemie na Slovensku, si ur\u010duje za c\u00edl p\u0159in\u00e9st v\u00fdpov\u011bdi o snech i bolestech student\u016f herectv\u00ed na Akad\u00e9mii umen\u00ed v Banskej Bystrici. Po uveden\u00ed v\u00a0Praze zanechal ot\u00e1zku, jestli covidov\u00e9 projekty s\u00a0terapeutick\u00fdm podtextem (nebo p\u0159\u00edmo \u00fa\u010delem?) maj\u00ed potenci\u00e1l obst\u00e1t p\u0159ed \u017eiv\u00fdm publikem.<\/p>\n","protected":false},"author":3,"featured_media":1281,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[22,23],"tags":[31,45],"class_list":["post-1272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obratel","category-recenze","tag-ludmila-zajickova","tag-recenze","entry"],"uagb_featured_image_src":{"full":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/nakkupene-2.jpg",2048,1365,false],"thumbnail":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/nakkupene-2-150x150.jpg",150,150,true],"medium":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/nakkupene-2-300x200.jpg",300,200,true],"medium_large":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/nakkupene-2-768x512.jpg",750,500,true],"large":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/nakkupene-2-1024x683.jpg",750,500,true],"1536x1536":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/nakkupene-2-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/nakkupene-2.jpg",2048,1365,false],"post-thumbnail":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/nakkupene-2-1568x1045.jpg",1568,1045,true],"sow-carousel-default":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/nakkupene-2-272x182.jpg",272,182,true]},"uagb_author_info":{"display_name":"Krist\u00fdna Vina\u0159ov\u00e1","author_link":"https:\/\/zlomvaz.cz\/2022\/author\/kristyna\/"},"uagb_comment_info":0,"uagb_excerpt":"Projekt, kter\u00fd vznikl b\u011bhem t\u0159et\u00ed vlny pandemie na Slovensku, si ur\u010duje za c\u00edl p\u0159in\u00e9st v\u00fdpov\u011bdi o snech i bolestech student\u016f herectv\u00ed na Akad\u00e9mii umen\u00ed v Banskej Bystrici. Po uveden\u00ed v\u00a0Praze zanechal ot\u00e1zku, jestli covidov\u00e9 projekty s\u00a0terapeutick\u00fdm podtextem (nebo p\u0159\u00edmo \u00fa\u010delem?) maj\u00ed potenci\u00e1l obst\u00e1t p\u0159ed \u017eiv\u00fdm publikem.","_links":{"self":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts\/1272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/comments?post=1272"}],"version-history":[{"count":2,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts\/1272\/revisions"}],"predecessor-version":[{"id":1282,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts\/1272\/revisions\/1282"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/media\/1281"}],"wp:attachment":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/media?parent=1272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/categories?post=1272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/tags?post=1272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}