{"id":1128,"date":"2022-06-10T21:28:28","date_gmt":"2022-06-10T19:28:28","guid":{"rendered":"https:\/\/zlomvaz.cz\/2022\/?p=1128"},"modified":"2022-06-11T19:40:29","modified_gmt":"2022-06-11T17:40:29","slug":"vsechny-spolu-a-na-tri","status":"publish","type":"post","link":"https:\/\/zlomvaz.cz\/2022\/2022\/06\/10\/vsechny-spolu-a-na-tri\/","title":{"rendered":"V\u0161echny spolu a na t\u0159i!"},"content":{"rendered":"\n

Magdalena Jirk\u016f<\/strong><\/p>\n\n\n\n

Prvn\u00ed festivalov\u00fd den ve sv\u00e9m programu nab\u00eddl dom\u00e1c\u00ed inscenaci \u010cerv v srdci \u010dlov\u011bka<\/em> z produkce Katedry \u010dinohern\u00edho divadla DAMU. Do \u00fatuln\u00e9ho prostoru \u0158et\u00edzku p\u0159ich\u00e1z\u00ed re\u017eis\u00e9rka Kate\u0159ina Vol\u00e1nkov\u00e1 a dramaturgyn\u011b Krist\u00fdna Nebesk\u00e1 s autorskou inscenac\u00ed op\u00edraj\u00edc\u00ed se o \u017eivotn\u00ed osudy jedn\u00e9 americk\u00e9 a dvou britsk\u00fdch spisovatelek dvac\u00e1t\u00e9ho stolet\u00ed: Sarah Kane, Sylvie Plath a Virginie Woolf. <\/p>\n\n\n\n

Vizu\u00e1ln\u011b \u00fasporn\u00e1 inscenace za\u010d\u00edn\u00e1 poh\u0159bem nezn\u00e1m\u00e9ho nebo\u017et\u00edka, za kter\u00e9ho spisovatelky spole\u010dn\u011b truchl\u00ed. Kde je ale rakev? A byla tu v\u016fbec n\u011bkdy n\u011bjak\u00e1? Pr\u00e1zdn\u00fd prostor s \u010dern\u00fdm sametov\u00fdm v\u00fdkrytem na horizontu a t\u0159emi multifunk\u010dn\u00edmi krychlemi, na nich\u017e here\u010dky zprvu posed\u00e1vaj\u00ed, \u017e\u00e1dnou dal\u0161\u00ed rekvizitu v tu chv\u00edli nenab\u00edz\u00ed. Rozvzpom\u00edn\u00e1n\u00ed si na mrtv\u00e9ho a bezv\u00fdslednost jejich p\u00e1tr\u00e1n\u00ed, jak se na tomto m\u00edst\u011b v\u016fbec ocitly, p\u0159edch\u00e1z\u00ed uv\u011bdom\u011bn\u00ed si, \u017ee jsou po smrti pr\u00e1v\u011b ony. Zasko\u010dilo m\u011b, jak plynule a samoz\u0159ejm\u011b postavy tuto pozici p\u0159ij\u00edmaj\u00ed. Smrt se oproti \u017eivotu zd\u00e1 mnohem m\u00e9n\u011b \u0161okuj\u00edc\u00ed a o n\u011bco sm\u00ed\u0159liv\u011bj\u0161\u00ed. <\/p>\n\n\n\n

Prvotn\u00ed klid s ironickou \u00falevou brzy st\u0159\u00edd\u00e1 s\u00e9rie nep\u0159\u00edjemn\u00fdch rozhovor\u016f a situac\u00ed, ve kter\u00fdch si spisovatelky vz\u00e1jemn\u011b p\u0159ipom\u00ednaj\u00ed svou minulost a z n\u00ed vych\u00e1zej\u00edc\u00ed zku\u0161enosti. Propojen\u00ed a realizace setk\u00e1n\u00ed t\u011bchto t\u0159\u00ed \u017een vede k mnohovrstevnat\u00e9mu dialogu, kter\u00fd se zprvu podob\u00e1 sp\u00ed\u0161e nucen\u00e9mu a nev\u0159el\u00e9mu small talku. V pr\u016fb\u011bhu jedn\u00e9 hodiny se rozv\u00edj\u00ed do velice osobn\u00edch rovin, kde nen\u00ed mo\u017en\u00e9 ur\u010dit, zda se postavy doopravdy sbli\u017euj\u00ed a vz\u00e1jemn\u00e1 p\u0159\u00edtomnost i pojmenov\u00e1v\u00e1n\u00ed pom\u00e1h\u00e1 ventilovat zadr\u017eovan\u00e9 emoce, nebo zda jsou jejich vztahy toxick\u00e9 a naopak se od sebe \u010d\u00edm d\u00e1l v\u00edce oddaluj\u00ed. F\u00faze jejich \u017eivotn\u00edch etap sp\u00ed\u0161e ne\u017e rozpravu nad r\u016fzn\u011b rozs\u00e1hl\u00fdm d\u00edlem p\u0159ipom\u00edn\u00e1 \u010detbu soukrom\u00fdch den\u00edk\u016f, z jejich\u017e obsahu vyvst\u00e1v\u00e1 nemal\u00fd po\u010det du\u0161evn\u00edch ot\u0159es\u016f a tr\u00e1pen\u00ed. Nechyb\u00ed traumatick\u00e1 smrt otce Sylvie Plath, nev\u011bra jej\u00edho man\u017eela, utonut\u00ed Virginie Woolfov\u00e9 nebo d\u011bsiv\u00e1 l\u00e9\u010dba elektro\u0161oky v p\u0159\u00edpad\u011b Sarah Kane. D\u011bn\u00ed tvo\u0159\u00ed vedle vypr\u00e1v\u011bn\u00ed a p\u0159ed\u010d\u00edt\u00e1n\u00ed i kol\u00e1\u017eovit\u00e9 vyobrazen\u00ed jednotliv\u00fdch partnersk\u00fdch \u010di rodinn\u00fdch vztah\u016f, zp\u016fsob\u016f sebevra\u017ed v\u0161ech t\u0159\u00ed postav a n\u00e1sledn\u00e9 vyrovn\u00e1v\u00e1n\u00ed se s nimi.<\/p>\n\n\n\n

Kde p\u0159esn\u011b se jejich postavy nach\u00e1z\u00ed, nen\u00ed v\u017edy zcela jasn\u00e9. Lze tak vych\u00e1zet pouze z poskytnut\u00fdch indici\u00ed, jako jsou \u00fatr\u017ekovit\u00e9 popisy prost\u0159ed\u00ed \u010di zp\u016fsob, jak\u00fdm jsou u\u017e\u00edv\u00e1ny rekvizity, \u010di podle toho, jak\u00e9 postavy zrovna p\u0159edstavuj\u00ed dal\u0161\u00ed dv\u011b here\u010dky.<\/p>\n\n\n\n

Tvar se pro m\u011b za\u010dal st\u00e1vat nep\u0159ehledn\u00fdm ve chv\u00edli, kdy p\u0159es jejich domn\u011blou smrt i sd\u00edlen\u00e9 zku\u0161enosti s l\u00e9\u010dbou neur\u00f3z a psychick\u00fdch onemocn\u011bn\u00ed pokra\u010dovaly v polyk\u00e1n\u00ed pilulek, a nebylo tak \u00fapln\u011b z\u0159ejm\u00e9, v jak\u00e9 dob\u011b nebo \u010d\u00e1sti jejich \u201evypr\u00e1v\u011bn\u00ed\u201c jsme se ocitli a jestli je ot\u00e1zka chronologie v\u016fbec na m\u00edst\u011b. Minulost i p\u0159\u00edtomnost se prol\u00ednaj\u00ed a n\u011bkdy spolu paraleln\u011b koexistuj\u00ed. Co\u017e je mnohdy podobn\u011b matouc\u00edm aspektem, k jak\u00e9mu m\u016f\u017ee dosp\u011bt i \u010dten\u00e1\u0159 Psych\u00f3zy 4.48<\/em> Sarah Kane a dal\u0161\u00edch postdramatick\u00fdch her. Podoba liter\u00e1rn\u00edho d\u00edla osciluj\u00edc\u00ed mezi dramatem a poezi\u00ed se pravd\u011bpodobn\u011b stala jedn\u00edm z\u00a0podklad\u016f, s\u00a0nimi\u017e inscena\u010dn\u00ed t\u00fdm pracoval. Inscenace z\u00a0t\u00e9to formy p\u0159eb\u00edr\u00e1 absenci jmen postav a nejasnou hranici mezi monologem a dialogem. Bez hlub\u0161\u00ed znalosti biografick\u00fdch \u00fadaj\u016f a d\u011bl jednotliv\u00fdch autorek hroz\u00ed utonut\u00ed v mo\u0159i absurdna, kter\u00e9 pojet\u00ed jednotliv\u00fdch sc\u00e9n doprov\u00e1z\u00ed. Pokud tento fakt p\u0159ij\u00edm\u00e1m, pole mo\u017en\u00fdch interpretac\u00ed se pak st\u00e1v\u00e1 otev\u0159en\u011bj\u0161\u00edm, a tedy p\u0159\u00edstupn\u011bj\u0161\u00edm pro uchopen\u00ed cel\u00e9ho kusu. Abstraktn\u00ed prost\u0159ed\u00ed smrti a pro\u017eit\u00ed obdobn\u00fdch osud\u016f mo\u017en\u00e1 autorky inscenace zavedly na stejn\u00e9 m\u00edsto, kde dostaly dal\u0161\u00ed prostor pro sv\u00e9 vyj\u00e1d\u0159en\u00ed.<\/p>\n\n\n\n

Mimo\u0159\u00e1dn\u011b poveden\u00fdm shled\u00e1v\u00e1m herectv\u00ed v\u0161ech t\u0159\u00ed p\u0159edstavitelek. Jejich pojet\u00ed na m\u011b i p\u0159es t\u011b\u017ekost t\u00e9matu p\u016fsob\u00ed lehce a hraj\u00ed s ur\u010dit\u00fdm odstupem. D\u00edky tomu se dostav\u00ed n\u011bkolik z\u00e1bavn\u00fdch moment\u016f v podob\u011b ironick\u00fdch pozn\u00e1mek a vz\u00e1jemn\u00e9ho \u201epo\u0161\u0165uchov\u00e1n\u00ed\u201c. Motivem, kter\u00fd se v r\u00e1mci p\u0159edstaven\u00ed n\u011bkolikr\u00e1t vrac\u00ed, je nasazov\u00e1n\u00ed kr\u00e1li\u010d\u00ed hlavy nadm\u011brn\u00e9 velikosti s kr\u00e1lovsk\u00fdmi korunami, za kter\u00fdmi postavy schovaj\u00ed svou tv\u00e1\u0159. A\u010dkoliv se jedn\u00e1 o jeden z odkaz\u016f k liter\u00e1rn\u00edmu po\u010dinu Sylvie Plath, v inscena\u010dn\u00edm kontextu k n\u011bmu m\u016f\u017eeme p\u0159istupovat jako k efektu zcizen\u00ed poskytuj\u00edc\u00edm rozpt\u00fdlen\u00ed a odstoupen\u00ed od dosavadn\u00edch v\u00fdpov\u011bd\u00ed.<\/p>\n\n\n\n

Klidn\u00fd a sm\u00ed\u0159liv\u011bj\u0161\u00ed z\u00e1v\u011br inscenace von\u00ed po chloru a rozh\u0159e\u0161en\u00ed. Kontrastuje s dynamick\u00fdm rytmem p\u0159edstaven\u00ed, kter\u00fd posledn\u00ed sc\u00e9n\u011b p\u0159edch\u00e1z\u00ed. Here\u010dky svl\u00e9kaj\u00ed oby\u010dejn\u00e9 \u010dern\u00e9 \u0161aty a v syt\u011b \u010derven\u00fdch jednod\u00edln\u00fdch plavk\u00e1ch se chystaj\u00ed ke skoku ze b\u0159ehu ozna\u010den\u00e9ho typickou varovnou cedul\u00ed \u201ez\u00e1kaz sk\u00e1k\u00e1n\u00ed\u201c. Tak v\u0161echny spolu a na t\u0159i!<\/p>\n\n\n\n

Divadeln\u00ed fakulta Akademie m\u00fazick\u00fdch um\u011bn\u00ed v Praze \u2013 \u010cerv v srdci \u010dlov\u011bka.<\/strong> Re\u017eie Kate\u0159ina Vol\u00e1nkov\u00e1, dramaturgie Krist\u00fdna Nebesk\u00e1, sc\u00e9na, kost\u00fdmy a light design Hana Kessnerov\u00e1 a Kl\u00e1ra Pavl\u00ed\u010dkov\u00e1, hudba Jakub Borovansk\u00fd a Berenika Anna Mikeschov\u00e1. Ps\u00e1no z p\u0159edstaven\u00ed 8. 6. 2022 na DAMU v r\u00e1mci festivalu Zlomvaz.<\/em><\/p>\n\n\n\n

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Fotografie z p\u0159edstaven\u00ed 8. \u010dervna na DAMU.
FOTO: Alexandra Chud\u00e1<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

Prvn\u00ed festivalov\u00fd den ve sv\u00e9m programu nab\u00eddl dom\u00e1c\u00ed inscenaci \u010cerv v srdci \u010dlov\u011bka z produkce Katedry \u010dinohern\u00edho divadla DAMU. Do \u00fatuln\u00e9ho prostoru \u0158et\u00edzku p\u0159ich\u00e1z\u00ed re\u017eis\u00e9rka Kate\u0159ina Vol\u00e1nkov\u00e1 a dramaturgyn\u011b Krist\u00fdna Nebesk\u00e1 s\u00a0autorskou inscenac\u00ed op\u00edraj\u00edc\u00ed se o \u017eivotn\u00ed osudy jedn\u00e9 americk\u00e9 a dvou britsk\u00fdch spisovatelek dvac\u00e1t\u00e9ho stolet\u00ed: Sarah Kane, Sylvie Plath a Virginie Woolf.\u00a0<\/p>\n","protected":false},"author":3,"featured_media":1129,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[22,23],"tags":[35,45],"class_list":["post-1128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obratel","category-recenze","tag-magdalena-jirku","tag-recenze","entry"],"uagb_featured_image_src":{"full":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/VIZUAL-3-scaled.jpg",2560,1709,false],"thumbnail":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/VIZUAL-3-150x150.jpg",150,150,true],"medium":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/VIZUAL-3-300x200.jpg",300,200,true],"medium_large":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/VIZUAL-3-768x513.jpg",750,501,true],"large":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/VIZUAL-3-1024x684.jpg",750,501,true],"1536x1536":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/VIZUAL-3-1536x1025.jpg",1536,1025,true],"2048x2048":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/VIZUAL-3-2048x1367.jpg",2048,1367,true],"post-thumbnail":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/VIZUAL-3-1568x1047.jpg",1568,1047,true],"sow-carousel-default":["https:\/\/zlomvaz.cz\/2022\/wp-content\/uploads\/2022\/06\/VIZUAL-3-272x182.jpg",272,182,true]},"uagb_author_info":{"display_name":"Krist\u00fdna Vina\u0159ov\u00e1","author_link":"https:\/\/zlomvaz.cz\/2022\/author\/kristyna\/"},"uagb_comment_info":0,"uagb_excerpt":"Prvn\u00ed festivalov\u00fd den ve sv\u00e9m programu nab\u00eddl dom\u00e1c\u00ed inscenaci \u010cerv v srdci \u010dlov\u011bka z produkce Katedry \u010dinohern\u00edho divadla DAMU. Do \u00fatuln\u00e9ho prostoru \u0158et\u00edzku p\u0159ich\u00e1z\u00ed re\u017eis\u00e9rka Kate\u0159ina Vol\u00e1nkov\u00e1 a dramaturgyn\u011b Krist\u00fdna Nebesk\u00e1 s\u00a0autorskou inscenac\u00ed op\u00edraj\u00edc\u00ed se o \u017eivotn\u00ed osudy jedn\u00e9 americk\u00e9 a dvou britsk\u00fdch spisovatelek dvac\u00e1t\u00e9ho stolet\u00ed: Sarah Kane, Sylvie Plath a Virginie Woolf.\u00a0","_links":{"self":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts\/1128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/comments?post=1128"}],"version-history":[{"count":2,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts\/1128\/revisions"}],"predecessor-version":[{"id":1209,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/posts\/1128\/revisions\/1209"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/media\/1129"}],"wp:attachment":[{"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/media?parent=1128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/categories?post=1128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zlomvaz.cz\/2022\/wp-json\/wp\/v2\/tags?post=1128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}